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Renaud Auguste-Dormeuil

Hope It Was Worth It
19 Oct 2024 – 22 Feb 2025

The Domaine de Chaumont-sur-Loire, in partnership with the Centre Pompidou and as part of the AR[t]CHIPEL festival, presents eleven tapestries by the artist Renaud Auguste-Dormeuil for the exhibition Hope It Was Worth It.

Five tapestries from the collections of the Estate (The Story of Perseus and Pegasus, Ulysses and Ajax Disputing the Arms of Achilles, The Judgement of Paris, The Story of Dido and Aeneas, The Capture of Saguntum by Hannibal) have been placed here for the occasion.

Since the Middle Ages, tapestry has been regarded as a so-called “decorative” art. Yet its practice has never ceased to run through the history of art, enriching it with countless masterpieces. During the Renaissance and the 17th century, illustrious artists such as Raphael and Poussin helped to give the art of tapestry its prestige. The productions of Aubusson bear witness to the excellence and influence of this practice, with the founding of the Manufacture des Gobelins in the 17th century.

Any journey through the history of art is no less a journey through human history: the project Hope It Was Worth It #1 sets out to bring these two histories together in one single tapestry.

First of all, twelve Aubusson tapestries dating from the 17th and 18th centuries were acquired on the art market. Once the precise dating of each tapestry had been established, a historical event that took place while it was being woven was chosen for each one.
Then, using software, the exact sky map of each chosen event was reconstructed, as it was visible on the night the event took place.
Each of the starry skies has been carefully integrated into the tapestries themselves, on the sky areas of each one. Each “dated” sky thus conceals, by being superimposed on it, the sky already present on each of the twelve tapestries.
By adding, through dyeing, a new sky to that of the existing tapestry, a historical event contemporary with the making of the tapestry has been woven into the very weft.
Each dye on the weaving, like a palimpsest, invites History into the frame.
 

It is estimated that producing one square metre of tapestry can take between one and ten months of work, depending on the technique and the fineness of the weaving. It is therefore easy to imagine that during the long period in which a tapestry was being made, even as the weavers were at their looms, important events were taking place in the world.

Remerciements

Chargée de projet : Caroline Ziani

Merci à Laurent Le Bon et Pascale Cayla pour leur précieux soutien.

Merci à Chantal Colleu-Dumond et aux équipes du Domaine de Chaumont-sur-Loire.

Merci à Françoise et Jean-Luc Dechery, sans qui cette exposition n’aurait pu se faire.

Merci à Fabienne Leclerc et à l’équipe de la galerie In Situ_fabienne leclerc.

Merci à Valérie Bach et aux équipes de la Galerie La Patinoire Royale Bach.

Enfin, merci à tou·te·s les collectionneur·se·s qui ont généreusement accepté de prêter
leurs œuvres.